Bedrock

John Beck is one of the most influential percussionists of our time. As a teacher, mentor, role model, and friend, he has set the standard, helped his students find their way forward, and formed the bedrock that supports generations of percussionists.

His students have become outstanding performers and teachers, and many have redefined excellence on the instruments they play. They are inspiring educators. They are members of internationally revered percussion ensembles and outstanding orchestras. They are world-renowned solo percussionists, world percussionists, and drum set artists working in every genre of music imaginable. And no matter how long ago you had your last lesson in his office on the third floor of the Eastman School of Music, he is always happy to share his insight, advice, and support whenever needed. 

Bedrock is dedicated to John Beck in celebration of his 90th birthday. The main motive is built on the first three letters of his last name (B-E-C). There is also a rhythmic reference to one of his first students at Eastman (you might recognize the “Gadd Mozambique”) and a motivic reference to another one of his students who later became his successor at the Eastman School of Music (using the motive based on “Michael B” that first appeared in my piece The Wind That Turns the World). It is in large part thanks to Mike Burritt that I am one of the lucky ones who can call Mr. Beck my teacher.

Bedrock is 91 measures long. One measure for each year…and one to grow on. The outer letters of the title spell JB’s last name.

Oh, and there are also two short references to one of the most popular songs in the world.

Happy Birthday, dear JB!

Happy Birthday to you!

– Blake Tyson